Sin City Review Take II
Yesterday, my girlfriend Debbie and I caught Sin City at the ginormous AMC theatres at Times Square.
We loved it. Go see it.
But she and I had lots of question in the end (mainly her), including:
1. What was with the constant castration?
2. Also, what was with the constant rhetorical treatment of impotence (”Look at you old man, you can’t even lift that cannon you’re holding”)?
3. What commentary did the movie seek to add to the feasibility of self-sustained all-female communities (Old Town)? Was it a critique (note Gail’s dependence on the male-figure)?
4. Why are Asian women always depicted as femme-fatale types in film noir?
5. Who will come along first: a successful white female emcee, or a successful Asian female emcee?
6. Will the first line to make it big from a Asian female emcee be: “Looks lovely, I’m yellow and I spit pretty/Straight fire, I open my legs, Hello Kitty!”? (Asian female readers, do not kill me!)
7. What significance, if any, is given to the use of color?
8. Which scenes did Tarantino direct?
9. Is it always necessary to make the Catholic Church the root of all evil?
10. If Jessica Alba can fall in love with Bruce Willis, does that mean I have a chance?
Any thoughts?
Claudio